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🔢 By the numbers… So far, the streaming wars have two big winners: Netflix (214M subs) and Disney (118M) – though to be fair, Amazon’s success is hard to gauge. The company said 175 million Prime members streamed shows in 2020, but their main subscription option offers more than just streaming.
Regardless, it’s still anyone’s game.
🎟 Worth mentioning: The line studios are trying to walk between taking their top-end content directly to streaming services to attract more paying subscribers, and preserving the exclusive theatrical window that’s traditionally driven a bulk of their revenue.
📈 Zoom out: Indirect winners of this new streaming world are the locations where shows and movies are being filmed. Take the UK, for instance – the investment in making films and high-end TV shows costing at least £1 million ($1.37 million) per episode in the country last year was two-thirds more than the previous record set in pre-pandemic 2019.
+Content overload?... Half of streaming subscribers say they have a hard time deciding what to watch, according to data from Morning Consult.
🎁 2021 was a tough year for a lot of us – and it was no different for the news industry.
👆 ICYMI, Ryan Reynolds and his Maximum Effort marketing company recently produced a Mint Mobile commercial featuring “Winnie-the-Screwed”, a disgruntled Pooh who is paying too much for his wireless bill.
🤔 Why it’s a big deal: On January 1, more than 400,000 works entered the public domain — one of the largest amounts since the start of copyright law — including Ernest Hemingway’s The Sun Also Rises, Felix Salten’s Bambi, Agatha Christie’s The Murder of Roger Ackroyd, and A.A. Milne’s 1st Winnie-the-Pooh book.
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